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Audiobooks
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MIX TAPE Track 13: “Behind Blue Eyes, Pt. 2”
No one knows what it's like to be the bad man, to be the sad man behind blue eyes.
MIX TAPE Track 13: “Behind Blue Eyes, Pt. 2”
No one knows what it's like to be the bad man, to be the sad man behind blue eyes.
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DEEP CUTS Episode 86: How Scott Chooses Locations
How do authors, and Scott in particular, choose the settings and locations for their stories?
DEEP CUTS Episode 86: How Scott Chooses Locations
How do authors, and Scott in particular, choose the settings and locations for their stories?
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MIX TAPE Track 12: “Behind Blue Eyes, Pt. 1”
No one knows what it's like to be the bad man, to be the sad man behind blue eyes.
MIX TAPE Track 12: “Behind Blue Eyes, Pt. 1”
No one knows what it's like to be the bad man, to be the sad man behind blue eyes.
Siglerverse
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SIGLER ASCENSION DAY = Paperback release of THE GANGSTER
To celebrate Ascension Day 2025, we present the spiffy paperback of THE GANGSTER. This dead tree beastie joins the first five novels to provide a storytelling buffet for the eyes...
SIGLER ASCENSION DAY = Paperback release of THE GANGSTER
To celebrate Ascension Day 2025, we present the spiffy paperback of THE GANGSTER. This dead tree beastie joins the first five novels to provide a storytelling buffet for the eyes...
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Scott's slate of books for 2025
Fans have been asking me what's next in the world of Siglerism. Here's the overview for 2025's stanky goodness.
Scott's slate of books for 2025
Fans have been asking me what's next in the world of Siglerism. Here's the overview for 2025's stanky goodness.
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Is using AI art for books always wrong… or only sometimes?
Using AI art for book covers is considered a no-no by writers' orgs. But what about using AI to make non-cover, non-marketing images for internal reference? Let's discuss.
Is using AI art for books always wrong… or only sometimes?
Using AI art for book covers is considered a no-no by writers' orgs. But what about using AI to make non-cover, non-marketing images for internal reference? Let's discuss.